And of course, I couldn’t resist putting the bad guy front and center. The client mentioned it, but truthfully, I was already there.
I had a blast experimenting with textured backgrounds and bold composition, pushing it to feel like a true work of art — something that could hang on a wall, not just live in a sketchbook. I want every commission to feel like that: a statement piece that makes the buyer proud to own it. And with this one, I really think it hit the mark.